Artificial Memory Trace Clare, Ireland
Artificial Memory Trace is Slavek Kwi, a sound_artist loving sounds and interested in the phenomena of perception as the
fundamental determinant of relations with reality. He is fascinated by possibilities of extrasensory communication as potential for raising mutual sensitivity (see uni.Sol_ and alfa00 projects)
Slavek is grateful for your generous support, it helps him to pursue his research.
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supported by 6 fans who also own “SIGNAL”
Here is a very interesting work. While a quick listening in front of the screen suggests a simple recording of the wind, a good headset reveals a skillful work of incredible complexity. The artist seems to have tamed the wind to borrow all sorts of rhythms and artificial directions, like a sort of macroscopic airflow. Also note the presence of these fabulous calm drones, evoking our need to breathe before the chaos of unusual winds suddenly resume! Masterful !!!
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supported by 6 fans who also own “SIGNAL”
Another wonderful album of the unique Philip Sulidae! With this particular touch to train us, using natural sounds, in a cold and strange universe that slides gently towards a silence, which it breaks with textures a little rasping, strident or chaotic. A great album to listen absolutely, maybe the best! I have a huge favorite for the fourth track, "Valley Floor, Nights and Frogs" which is delicious.
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supported by 6 fans who also own “SIGNAL”
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Images
by Colin Andrew Sheffield
Colin Andrew Sheffield (Elevator Bath) repurposes heavily manipulated jazz samples into gorgeously eerie soundscapes.
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Cataclysmic System Binding Loss
by Carbon In Prose
Shards of static & distortion crash against disarmingly beautiful piano & synth melodies on this riveting new record from Carbon and Prose.
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The new album from electroacoustic composer Jeremy Young is draped in a sense of mystery, tones flickering gently, like an old home movie.
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Sound Diary of Quiet Pedestrians
by Mathieu Ruhlmann & Joda Clément
supported by 5 fans who also own “SIGNAL”
As a maniac for grave sounds and metallic sounds, I am of course full of happiness! The squeaking of the wheels of the trains and the horns of the boats are omnipresent and for me it is wonderful. The work is nonetheless full of subtleties with these arrangements that suggest a kind of titanic dialogue between these metal monsters! Congratulations to Mathieu Ruhlmann & Joda Clément, and also to Daniel Crokaert for this beautiful cover!
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